North West
In the center Ages flowers (such as. Thyme or sage in addition to lavender) decorated together with temples and homes -- these mostly herbs, which were to frighten away evil powers (cinquefoil, Rue, St. John's wort, thyme) or carry love (roses, pansies, orchids, nots). The symbolism of flowers played here is critical. The compositions often conducted with myrtle, jasmine and boxwood, and flowers placed inside straight vessels were usually viewed from side. Here, too, I reminded myself regarding reaching the ancient customized of decorating with flowers newlyweds.
Since the Renaissance, during the XVIth centuries, in florists evolved into symbolism lacking decorative aesthetics direction parallel to the general stylistic transformations (such as. In the twentieth centuries. Bunches of Victorian, Art Nouveau or stacked so-called dry flowers. Bouquet Biedermeier). In the Renaissance, bouquets became more lavish, appeared in them as new plants - limb, strawberry, daisies. Flowers began to place the richly decorated earthenware in addition to glass vessels, and floral motifs ended up also adorned with pretty fabric. Also returned garlands (that is one of the oldest, from Egypt) adorning the within of rich houses.
This baroque splendor in addition to colors, an abundance of magnificence. From the seventeenth to the mid-eighteenth century compositions received symmetry and Baroque favourite colors were white, pink and red. The most commonly found in the compositions of flowers are: poppies, lilies, peonies, anemones, phlox, roses, dahlias, or irises, as well as tulip glasses, adored especially by residents of the Netherlands. Bouquets were usually embedded inside richly ornamented pots and vases manufactured from glass, stone or porcelain.